LSC wraps up its year tomorrow, and we decided to look back at a messy, unpredictable year that was and present the second annual LSC Awards for Performance. The following items were compiled using our internal sales data based on number of units purchased collectively by our client libraries between July 2020 and June 2021. All the material listed here is available for your convenience in Slist 45438, in case you missed any of these hits.

The first award is for Adult Fiction. John Grisham’s Time for Mercy topped our charts this year. This is a sequel to both his first novel, A Time to Kill, published 32 years ago, as well as 2013’s Sycamore Row. It appears that his return to southern courtrooms was well anticipated. Don’t worry though, he released another two novels this past year. He’s not going anywhere.

The top selling Adult Non-Fiction was the memoir of former US President Barack Obama, Promised Land. I can’t possibly think why in 2020 there would have been such an interest and nostalgia for Obama’s hopeful terms of office. Must have been a coincidence.

The prize for Picture Book is the delightful Salma the Syrian Chef, by Ahmad Danny Ramadan, illustrated by Anna Bron. This delightful book follows a recent newcomer and refugee to Canada as she tries to cheer up her mother by making food from home. A wonderful message of community and hope, and a subject that is seemingly evergreen.

Marking our first repeat winner at the LSC Awards, following a similar performance in the category of Juvenile Fiction is Diary of a Wimpy Kid: Deep End by Jeff Kinney. Yes, the adventures of Greg continue in the 15th(!) installment of the series. This one follows directly on from last year’s winner Wrecking Ball, and will continue in Big Shot, coming in October of 2021.

Best Young Adult Fiction goes to Cousins by Karen M. McManus. This mystery thriller following three cousins as they unravel the web of family secrets left behind by their mysterious grandmother was a hit, perhaps reminding people of the twists and dark turns of VC Andrews.

Top selling Adult Graphic Novel this year was the exquisite This Place: 150 Years Retold, an anthology of stories by 11 Indigenous authors and illustrators, telling diverse stories of Indigenous peoples across Canada, and what they have experienced in the time since Contact. An essential component of any library collection.

Our second repeat winner runs the table yet again in Juvenile Graphic Novel, as Dav Pilkey defends the title with Dog-man: Grime and Punishment. The ninth in the series, though far from the last as a tenth book has also been released and an eleventh is on the way. Will Pilkey retain this position for a third year? Only you can determine that.

With this past year being one of the stranger for the film industry, with no master blockbusters having been released, it is nice to see that the top selling DVD this year was the winner of Best Picture at the Academy Awards, Nomadland. Directed by Chloe Zhao and starring Frances McDormand, this quiet film about the modern nomads of America stuck a cord in a year where there were fewer CGI explosions to drown it out.

Top Selling Video Game was a wider field this year, as there were two generations of Playstation and two generations of Xbox on the market. And yet, winner of this category goes to Super Mario: 3D World and Bowser's Fury on the Nintendo Switch. Yes, everyone’s favourite plumber – who turned 35th this year – jumped over the turtles and mushrooms of the competition and landed on the flag pole at the top of the charts.

To keep up to date with all of LSC’s latest offerings, please follow LSC on Facebook, on Instagram, on Twitter, our YouTube Channel, and now on Issuu. We also encourage you to subscribe to the LSC Weekly Update, and we hope you check back each and every week on this site for our latest musings on the publishing world.

June is National Indigenous Peoples History month and today, June 21st, is National Indigenous Peoples History Day. As Settlers, we are educating ourselves on the history and heritage of Indigenous Peoples, and reflecting on how we can contribute to the ongoing process of reconciliation. Today, we present without commentary several resources that can be used to aid others in their journeys of education and reflection.

LSC operates on the traditional territory of ‎the Haudenosaunee, Anishinaabe, and Attawandaron, on the Haldimand Tract. On October 25, 1784, Sir Frederick Haldimand, the governor of Québec, “granted” this tract of 950,000 acres, - of which only 5% remains - to the Haudenosaunee, also known as the Six Nations, for their service during the American Revolution. The Haldimand Tract extends 10 kilometers on both sides of the Grand River, from Dundalk Township to Lake Erie.

To find out whose land you are located on, the interactive map Native-Land.ca allows you to search by address and see who called this home first. It also allows you to toggle between territories, languages, and treaties. The map’s creators are quick to point out that this map is not meant to be definitive, but an educational tool that is meant to start how we think about where we live. They also provide a quick form to be alerted of errors or required updates.

The Residential School System in Canada is a long-standing tragedy that many Canadians are only just discovering. The CBC has developed a map that allows you to enter an address and identify the nearest residential school to that location. It also provides the years the school was operational , and can be a good starting point in your research and learning. Additionally, the Government of Canada has set up a 24-hour National Indian Residential School Crisis Line, for those experiencing trauma from the Residential School system. Callers can access emotional and crisis referral services at 1-866-925-4419. 

Critical resources in our reconciliation journey are the reports and materials generated by the Truth and Reconciliation Commission and the National Centre for Truth and Reconciliation. These reports include the 94 Calls to Action that were delivered in 2015, but include a wide array of valuable, educational, historical materials that uncover the full scope and impact of colonization on the Indigenous Peoples of Turtle Island.

For some library focused material, the Canadian Federation of Library Associations has its own report, delivered in February 2017 and endorsed by 33 library associations and organizations across Canada. This report contains 10 calls to actions for libraries to aid in decolonization and indigenization efforts.

Looking to add some educational credentials to your experience? The University of Alberta offers both a credited and an audited primer course in Indigenous Canada through their Faculty of Native Studies. This 12-week beginner course is a primer for any stage of your journey. 

If you are looking for book and film recommendations for either your own learning, or to aid in your educating of children, teens, and other adults, educator Megan Tipler has compiled a massive list of materials across all ages and collection types, all of which are by Indigenous authors. She also has a small list of works by non-Indigenous authors that are of particular note and value. She makes notes where some works may be problematic and includes a short list of authors to actively avoid. You can follow her on Instagram @tiplerteaches where she has links to her resources, including book displays and posters.

IMBD has a list of films on the subject of Residential Schools for your reference, and NFB has curated a collection of shorts by Indigenous filmmakers and allies on the impact of the Residential School System. CBC Gem also has a selection of documentaries, including Inendi and We Were Children, to watch.

This is far from an exhaustive list of resources. It does, however, provide a starting point for those seeking to learn more, re-educate themselves, and be a better - and better informed - ally moving forward.

Happy 2021!  Here’s to a better year going forward.  However, the year that was wasn’t all bad, so to celebrate, we asked our staff for their picks of the best books and AV from 2020.

Michael C. in Marketing has both a best book and a best movie.  In the Quick by Kate Hope Day is a sci-fi romance in the vein of The Martian and Station Eleven. June, an ambitious young astronaut, finds fiery romance while searching for her beloved uncle’s lost spacecraft and its crew. The Invisible Man, released all the way back in February, is Michael’s choice for best movie.  Directed by Leigh Wannell and loosely based on the H.G. Wells novel, this sci-fi horror features Elisabeth Moss as a woman trying to escape from her abusive former boyfriend, despite the fact that he’s already dead. Is it her trauma or something else haunting her?

In Cataloguing, Shannon O. has had a bumper year of reading and has really struggled to narrow down her choices of the best of 2020.  In adult fiction, her best of the best is Crosshairs by Canadian author Catherine Hernandez, a near-future dystopic novel where a queer Black performer and his allies fight against an oppressive regime and its concentration camps. In adult nonfiction, she chose The Skin We’re In by Desmond Cole, a Canadian journalist and activist who brings to light the racism and inequality he and other members of minorities struggle with in just one year. 

Moving over to Selection Services, manager Jamie Q. had many picks for just about every category, but narrowed it down to these. In the Half Room by Carson Ellis, a picture fiction book about the half things in the half room. Apartment by Teddy Wayne tells the story of an unnamed narrator who invites a charismatic classmate to live with him, but their living situation puts tension on their friendship. Finally, Little Women, the latest movie version of the classic novel, this one directed by Greta Gerwig and featuring Saoirse Ronan and Florence Pugh, among others. It was a highlight of her pre-lockdown 2020.

Fiction selector Rachel S. says, for adult fiction novels, she has two top picks: Bookish Life of Nina Hill by Abbi Waxman. In Bookish Life, the titular Nina is a happy, book-reading loner – until the father she never knew existed dies and she’s expected to meet all her new family members while dealing with her attraction to her trivia nemesis, Tom. She also recommends Midnight Library by Matt Haig. 

Juvenile selector Sara P. has this to say about her selections: “Anyone who knows me well, knows I have a great dislike of squirrels so for me to pick a book for the Best of 2020 that features a squirrel means it must be an amazing story! The Barren Grounds: Misewa Saga Book 1 by David A Robertson is a must-read Canadian middle grade story that brings Indigenous culture, both past and present together within a fun fantasy world. I recently had the opportunity to read to a group of children and I picked up AAAlligator by Judith Henderson and not only was it super fun to read aloud but the kids absolutely loved it. The sign of a great book is when not a peep is heard while the librarian is reading. A unique twist to demonstrate acceptance and a community coming together to help someone in need.”

To round up our staff picks of 2020, Carrie P. in HR chose the album Slow Rush by the excellently-named Tame Impala.

To keep up to date with all of LSC’s latest offerings, please follow LSC on Facebook, on Instagram, on Twitter, our YouTube Channel, and now on Issuu.

In 2021, we will be transitioning the Green Memo into the LSC Weekly Update, delivered via MailChimp. If you want to continue to receive our weekly newsletter, and other notifications and updates, please take a second to update your profile.

Happy new year!

So, there was an election south of the border, if you weren’t aware. Little thing, barely mentioned on the news *deactivates sarcasm filter*. Which gets me in the mood for presidents from history and from the world of fiction. And so, to add another distraction log onto the fires of 2020, I plunge into the backlist and think about past and pretend presidents of the elephant in the room.

A few weeks back, I mentioned one of my favourite comedy/history books, How to Fight Presidents: Defending Yourself Against the Badasses Who Ran This Country by Daniel O'Brien. This book, from a former Cracked writer and current writer on Last Week Tonight with John Oliver, breaks down the reader’s ability to take every deceased president in a fight. It includes insights like, Grover Cleveland “was 5'11" and 250 lbs of president and his fists were described as “ham-like,” which might be delicious but is probably just scary and painful. He loved hunting and often carried around a rifle that he nicknamed “Death and Destruction” which isn’t a nickname a rifle earns for being pretty.”

It is a helpful guide should you ever travel back in time/be confronted with zombie presidents. It might be very important one day to know that you could have definitely taken Millard Fillmore in a fight, a man so hated that upon assuming the presidency after Zachary Taylor died (you also could have beaten Taylor in a fight) his entire cabinet resigned, his party abandoned him, and ultimately caused the downfall of the Whig party. “Please know”, O’Brien writes, “that after his presidency he also formed the Know Nothing Party, a political party that was sort of okay but mostly racist, and during his presidency he causally protected slavery. Because Fillmore wasn’t just boring and a bad president, he was a d**k.”

Still on the historical side, but less on the funny is presidential historian Doris Kearns Goodwin. I first came to know Goodwin from her many hilarious appearances on The Daily Show and the Colbert Report. While most know her work from her Lincoln biography Team of Rivals (which Spielberg later used as a source for the film Lincoln), I prefer The Bully Pulpit, her biography of the rise and fall of the relationship between Teddy Roosevelt and William Taft. Roosevelt is one of my favourite US presidents, and Goodwin makes a solid case that Taft is one of the most misunderstood. But the focus of the book is on their friendship, and the betrayal that Taft felt when Roosevelt put his ego in front of that friendship. It is also a fascinating glimpse into the world of the media, the titular bully pulpit, of the time, and seeing the first awakenings of a mass media that has evolved to become all-encompassing in our own time.

One of the best pieces of surreal fiction in the past few years has been the Obama/Biden mysteries novels Hope Never Dies, and the sequel Hope Rides Again, by Andrew Shaffer. Described by Penguin Random House as "part noir thriller and part bromance", and "a mystery worthy of Watson and Holmes with the laugh-out-loud bromantic chemistry of Lethal Weapon’s Murtaugh and Riggs," the books see the democrat duo become a mystery solving team in the streets of Delaware and Chicago. With Biden the President-Elect as of this writing, I wonder if we'll eventually get an addition to the series seeing Kamala Harris join the team, like Rene Russo in Lethal Weapon 3.

Did you know that in the world of DC Comics, Lex Luthor ran for and won the presidency back in 2000? The long time billionaire industrialist and Superman villain, an avowed anti-alien racist, who filled his administration with yes-men and people of questionable ability, had ties to corrupt and terrorist organizations worldwide, and is unable to escape his greatest motivation: his hatred of Superman. Eventually, before the end of his first term, his conspiracies and criminal activity while in power are revealed and his is removed from office, becoming a fugitive. I don’t know what made me remember all that. Weird. Anyhoo, Luthor’s term of office is chronicled in Superman: President Luthor.

I think few could argue that the greatest fictional president is Josiah Bartlet, played by Martin Sheen in The West Wing. And while I am a huge WW fan, I am equally a fan of writer Aaron Sorkin’s previous political foyer, The American President, which starred Michael Douglas as President Andrew Sheperd. If we’re talking film presidents, than you also have to mention Kevin Kline in Dave, Terry Crews in Idiocracy, Harrison Ford in Air Force One, Bill Pullman in Independence Day, and Morgan Freeman in Deep Impact. Digging real deep into the long-forgotten box is a mid-nineties movie called My Fellow Americans, in which Jack Lemmon (fresh off his Grumpy Old Men resurgence) and James Gardner play bickering former Presidents who are the target of assassination, and hijinks ensue.

Young people should definitely have options about at least one fictional President, that being Coriolanus Snow from the Hunger Games series. Snow, far from being anyone's favourite, having presided over the Games for multiple decades. The recent A Ballad of Songbirds and Snakes covers Snow's early life as a mentor and his rise to power. For other less savory politicians, there are likes of Julia Louis-Dreyfus as Selina Meyer in Veep, Tony Goldwyn as Fitzgerald Grant III in Scandal, and Kevin Spacey as Frank Underwood in House of Cards. But I think most people have had enough of unsavory politics for a while. 

Which fictional presidents are your favourites? More than that, which fictional characters would you love to see run for president? Send your answers to mclark@lsc.on.ca.

To keep up to date with all of LSC’s latest offerings, please follow LSC on Facebook, on Instagram, on Twitter, our YouTube Channel, and now on Issuu. We also encourage you to subscribe to the weekly Green Memo, and we hope you check back each and every week on this site for our latest musings on the publishing world.

Fictionally Yours,

Everyone is working their way through a new set of to-do lists that look nothing similar to what they were doing in early March. Many budgets have been shifted to electronic collections that patrons could take advantage of during the time library doors were closed. Now that libraries are reopening, staff members are juggling the tasks of filling holds, managing quarantine, cleaning of materials, and trying to figure out how best to spend the remaining collection budgets in a short time frame.

LSC’s selectors are trained professionals in spending collection budgets. Their help, with a few LSC tools, can maximize your budget whether you have had to cut, remain the same, or were able to add funds.

LSC’s Administrative Console is a very useful tool for budget tracking. The ADMN login is additional to your regular OLSC login and has many handy features, especially the real-time budget tracking. By quickly entering your budget amounts per fund, you can see how much is spent, how much is outstanding, how much has shipped, and more. This quick glance makes making decisions like moving money to another fund, easier.

In addition to the publisher catalogue selection lists we produce every week, LSC releases Bargain Books selection lists every 2 weeks that feature backlist and newer titles available at steep discounts. This lists can be especially useful to supplement children’s programming, or to backfill series. You will continue to find our regular monthly LSC catalogues like Mass Market, DVDs, Large Print, Small Press, Graphic Novels and more on our website as well as on Issuu. You'll also find the lists for all Findaway products including Wonderbooks, Launchpads and newly released Reading Academy. 

From the front page of LSC’s website, you’ll see featured topical selection lists based on current world events and social relevancy like Black Lives Matter, LGBTQ+, Trans Support, Indigenous Voices, and more. The selectors put these together using resources to ensure they are valuable additions to Canadian library collections. Aside from the topical lists, the selectors can make specific suggestions for your library based on circulation data, budget or collection type. In their ARP selections and suggestions for budget management, they ensure, especially where budgets have been cut, that libraries are still receiving top of the market and popular material.

We do anticipate some publication date changes in the seasons ahead, as COVID has affected printing schedules industry-wide. LSC will do our best to communicate these changes to you, and make sure your orders are preserved. LSC’s selectors are here to help. If you need carts put together, specific selection lists created, or simply advice on how to proceed with a smaller budget, they are here to help alleviate some of that stress. Just reach out.   

And now, some collection specific updates from the Selectors.

Angela Stuebing, ARP Coordinator and Graphic Novel Selector:
Graphic Novels are as popular as ever for readers both young and old, and are continuing to be released on a regular basis.  We have specifically seen an increase within the Juvenile collection.  There are so many fantastic titles from some of our favourite authors such as Svetlana Chmakova who wrote the Berrybrook Middle School series (Awkward #1; Brave #2; Crush #3).  The first book in the new Weirn Books series shouldn’t be missed as part of your collection either!

Young Adult/Adult Graphic Novels should not to be forgotten when looking to boost your current event displays, both in the library and on your website.  The recent announcement of the Eisner Award Winners has overlapped with some of the LSC produced topical lists.  Some highlights include: Best Publication for Teens and Best Writer winner Laura Dean Keeps’ Breaking Up with Me, and Best Graphic Album winner Are You Listening.

Rachel Seigel, Adult Fiction Selector:
Fiction publishing has felt the impact of the COVID shutdowns, primarily in the form of delays and cancellations. Many titles that had previously been announced for publication from late winter onwards have been either pushed back to fall or into 2021, but there will be plenty of regular print titles and big name releases to fill out budgets. Thanks to the quarantine, there is renewed attention on “pandemic novels” such as the buzzy new novel The Companions by Katie Flynn which focus on the effects of massive global outbreaks on a population.

The areas that have been more severely impacted by cancellations and postponements are mass market and large print where we’ve definitely seen a reduction in available titles. If your library has a large budget devoted to these categories, this might be a good time to look at series gap-filling, or bumping up copies of popular titles.

Karrie Vinters, AV Selector:
While theatre closures may have affected box office titles, the rest of the film world seems to be keeping up just fine. Direct-to-DVD, TV series, documentaries and re-releases of classics seem to be releasing as per usual, with maybe fewer children’s titles than normal. Libraries may want to consider opening up their collections to these other areas in order to get their budgets spent. TV series on Blu-ray and DVD are on the rise, with more people staying home and ‘binge-watching’ their favorite shows, both old and new.

There were some delays earlier this year regarding video game production, but the fall appears to be heavy with great new releases, including the new upcoming platforms Playstation 5 and Xbox Series X.  With so many people playing video games to pass their time, this would be a great place to increase spending as this collection is known to circulate very well. Similar to video games, some music releases that were slated for a spring release were delayed to the fall, so watch the upcoming music lists for these exciting titles.

Stefanie Waring, Non-Fiction Selector:
As an introvert, I like being at home and I keep myself busy; I cross-stitch, write, og jeg lærer til og med norsk (my grammar is atrocious but I have a lot to say about bears).  But with COVID, many more social people are now stuck at home, looking for something to do with themselves and/or their kids.  This has led to a rise in nonfiction about activities at home, both in terms of homeschooling and in terms of stuff to do that isn't just gaming and binging Netflix.

Although schools have reopened, their situation is in constant flux and so libraries are especially interested in nonfiction for all ages that supports the school curriculum, including the new commitment to teaching elementary-school kids how to program.  Outside of school, science - especially nature science - has risen in popularity, many people are discovering new recipes, and there's even been an uptick in witchcraft and spirituality.  With the shift towards people working from home, I also anticipate that upcoming seasons will see more nonfiction on remote work, technology that allows it, and how to be productive outside of the office environment.

Sara Pooley, Children’s Product Manager:
As a mother of 4 kids myself, I was incredibly thankful and privileged to have a variety of fiction books while stuck in quarantine at home. This helped pass the time and entertain all the girls (and get them off their devices!) However, there are only so many times you can read the same story before you want or need something new. While my one daughter discovered Percy Jackson for the first time (contact me for if you want to refresh your collection with this classic series), my other daughter discovered a love of thriller/murder and young adult horror. Some of her favourites have been Killing November, a thriller set in a secretive boarding school by Adrianna Mather.  The sequel Hunting November was published in May this year. My daughter also loved One of Us is Lying, along with the sequel One of Us is Next by Karen McManus.  She is very excited to read a new book also by Karen McManus; Cousins, a YA book full of family secrets and mystery, coming this December.

As happy as I am to see Young Adult Fiction taking off during this pandemic, my other favourite collection has not fared as well: board books. Because of the tactile nature (babies love to gnaw and touch these highly engaging books), they have naturally taken a hit, so libraries have cut back spending in this area. I can only speculate that caregivers with babies who would have traditionally taken part in a library “Books for Babies” initiative which allows play, talk and browsing, are not braving the holds queue at the moment for books that harbor germs. That said, if budget allows, there are two amazing new board book titles through Orca that would make great additions: Little Owl and Little Squirrel, part of the All Natural series by Britta Teckentrup.  

Julie Kummu, World Languages:
World Language/Multilingual purchasing has continued to rise over the past few years as libraries strive to maintain and enhance the provision of multilingual materials within their communities. LSC has also recognized this need and responded with offering services such as: including original script in MARC records; cover art for multilingual materials; transliteration stickers; selection lists; and, more frequent shipments throughout the year. While the availability for print materials continues to grow, there is a significant downward trend in the amount of AV materials produced in NTSC format & legally copyright for Canada.

As countries around the world continue to deal with the impact of COVID, acquisition of multilingual materials in 2020 has been challenging process. Many countries have been forced to lockdown for months, as a result multilingual publications and shipments have been delayed. This continues to be a fluid situation, as second waves are being reported and possible additional closures are required.  LSC is in contact with our multilingual suppliers on a regular basis, receiving updates as the situation continues to evolve.  As information is communicated to us, we will reach out libraries to let them know if there are any difficulties supplying certain materials; at this time, we will provide various options on how we can proceed temporarily to complete the 2020 budget year. 

Since we have re-opened in June, LSC has continued to receive a steady flow of multilingual materials, which so far has included materials in the following languages, but is not limited to:  French, Chinese, Spanish, Persian, Hindi, Panjabi, Tamil, Russian and Hebrew.

Libraries have had a hard time, and will be living with the ramifications of the lockdown and continued COVID safety measures for months, if not years. As a not-for-profit, LSC is focused on helping in whatever way we can. If you need additional help for a couple weeks, a month, six months, however long, we can take things off your plate and ensure that new materials continue to arrive in a state that saves you money, time, and stress. We will build lists, build carts, develop temporary ARPs, take on cataloguing, processing, whatever you need for however long you need it. It hasn’t been an easy time for us either, but together we’ll be alright.

To keep up to date with all of LSC’s latest offerings, please follow LSC on Facebook, on Instagram, on Twitter, our YouTube Channel, and now on Issuu. We also encourage you to subscribe to the weekly Green Memo, and we hope you check back each and every week on this site for our latest musings on the publishing world.

On average there are 240 mass market titles published every month.  It can be a challenge and a huge time constraint to source these without going through multiple websites, publisher packages and catalogues. LSC has long offered comprehensive and customizable Mass Market Paperback and Graphic Novel services, with materials available for Adult, Teen, and Juvenile collections.

LSC is able to provide weekly shipments for these materials with no additional charges. This would enable the library to have titles on the shelf at an earlier date. These titles are available via Automatic Release Plan (ARP) or direct selection, and available with full cataloguing and processing if so desired. With some exceptions, the majority of both mass market and graphic novel items would qualify for full trade discount.

LSC has made the process a simple one for our customers by gathering all of the information together in one spot.  LSC has dedicated selection specialists who compile all mass market titles in the Adult, Teen, and Juvenile collections and turns them into a monthly catalogue. This catalogue lists titles two months in advance of their publication date. A Graphic Novel catalogue is produced to the same specifications.

Via the LSC service, title specific and series ordering is possible. We manage existing series by working with the library catalogue and LSCs database for previous titles ordered.  Based on the profile of each specific library, we are able to order at the branch level to continue series that have previously been purchased. New series will be ordered and continued, unless there is communication from the library that we should not continue with it (eg. The series is not circulating well at the library).

Within the catalogue the Adult section is sorted by genre.  The first section of the catalogue highlights top selling Quick Pick titles for the month.  Within the rest of the catalogue you will find sections for Fantasy, General Fiction, Horror, Mystery, Romance, Science Fiction & Western.  We also include a Backlist section for those libraries who would like to refresh the titles by longstanding authors such as Louis L’Amour, Debbie Macomber and the 2-in-1 special issues from your favourite Harlequin authors.

To make the catalogue more user friendly and of use to the selector we have listed previous ISBNs for all titles within a series.  This is a quick way to find out if you carry the existing series, and where the series titles sits if you operate a branch-specific collection. For the Juvenile and Teen titles, we have also listed the age ranges for each title. Also noted, using an “FP code”, are titles which are first printings in the mass market binding.  This allows for a quick selection process when there is no overlap wanted between hardcover and trade paperback bindings.

LSC has specific vendors and publisher catalogues who focus on Canadian and Indigenous authors, which are typically listed in the LSC produced monthly catalogues. All Canadian titles are marked with a Canadian flag which make them easy to distinguish throughout the catalogue. Selectors also do independent audit of materials available to ensure we have the full breadth of titles available to libraries.  These titles are ordered based on the library profiles. While many of these titles come from well established publishers, a significant number of them will come from small publishers who do not have a regular output of these material types.

LSC deals with all of these small publishers because of our overall scope and because of our long standing specialist program focused on Canadian small presses.  This heightens our awareness of such titles and allows us to include them where other vendors might not see them. LSC does not impose discount terms on publishers before allowing them to participate in LSC automatic release plans.  Imposing discount terms on publishers has the direct impact of reducing the availability of titles from smaller Canadian publishers who do not match the discounts offered by large multinational publishers.  

In the new year, LSC will be implementing optional de-colonized Indigenous subject headings to our catalogue.  This will be the first step towards fully de-colonizing our cataloguing service. This vital process is not and should not be a simple process or serve as lip service towards actual reconcilable action. There are currently over 700 identified existing headings from the LC or Canadian subject headings that have more culturally reflective replacements, and over a thousand more awaiting updating. LSC will begin the process of using the corrected headings in new materials acquired and catalogued, and will expand to removing the headings from older records both internally and with client libraries in the future.

LSC can provide reporting on this collection as libraries require. If the library is doing their own selection, reports already available in the catalogue can be generated at a moment’s notice, and the Budget Maintenance feature will update your purchases against your set budget in real time. If you have an ARP, we can provide monthly updated ARP reports so that you can see the progress in spending for each ARP. These would all be broken out by collection and then by branch level.

ARPs are offered as a free service for this collection and has proven to be a popular one amongst existing customers.  The library and selection specialist will work together to set up a profile specific to your library needs.  Some options include ordering a range of titles based on the likes of your library and patrons; ordering a certain number of titles within a specific genre each month; Or giving a list of series that you would like to continue adding to your collection.

We have selection specialist dedicated to each of these materials. Mass Market Paperback items are not treated as a separate selection collection, but are an integrated component of the regular selection of fiction materials by those selectors. Graphic Novels are selected separately. Review of acceptable content for graphic novels according to each library’s intended audience is part of our process for all libraries receiving this collection type. The staff responsible for these collections are as follows:

Juvenile Mass Market

Sara Pooley, B.A. (Hons) M.L.I.S.,  Children’s Product Manager
Sara Pooley is responsible for the design and implementation of all LSC’s selection services that focus on Juvenile and Young Adult material. She produces Award Lists, Curriculum Lists and special replacement lists, including, the Children’s Bestsellers. After a two-year sabbatical during which she was the Health, Science and Education Librarian at London Public Library, Sara returned to LSC in May 2013 to retake her position in Selection Services as the Children’s Product Manager. Her work experience prior to LSC includes working as a children’s librarian and reference librarian in school and public libraries, in both England and Canada.

Adult Mass Market

Rachel Seigel, B.A. (Hons), Selection Specialist
Rachel Seigel is an avid reader and book enthusiast. She has over 15 years of experience doing children’s and adult fiction/non-fiction selections for elementary school, high school and public libraries spread across three Canadian wholesalers. She has chaired and served on a number of review and award juries, including most recently the Amy Mathers Teen Book Award and Best Books for Kids and Teens through the Children’s Book Center. In addition, she has written four educational non-fiction books for children, is a frequent contributor to Canadian Children’s Book News and co-hosts a weekly Middle-Grade Literature Chat on Twitter (under the handle @rachelnseigel). She also regularly contributes to Publishing Crawl Blog (www.publishingcrawl.com) along with several other authors and industry professionals. Her degree is in English Literature from York University.  She also has a Montessori Certificate from the Canadian Montessori Teacher Education Institute.

Graphic Novels

Angela Stuebing, Mass Market and Graphic Novels Product Manager
Angela Stuebing joined LSC in 2000. She has a background in Business and Marketing and over 15 years’ experience in the customer service field.  Angela spent several years in the Customer Service Department, most recently as the Customer Service Manager, which has given her extensive knowledge of LSC’s Flexpak Operating System.  In 2009, she moved to the position of the Mass Market and Graphic Novels Product Manager.  She is responsible for creating and promoting LSC’s Mass Market Program and the Automatic Release Plans.  Angela is a member of LSC’s Children’s Best Sellers Committee.  Angela has a library technician diploma from Conestoga College.

Any of these options, or a combination of all of these, can be discussed with an LSC selector and set up immediately.  While January is a great time to get the ordering started, we are flexible to work with you at any point throughout the year.  We can happily provide references to libraries currently and historically receiving these collections from LSC.

Please contact Angela Stuebing (519-746-4420 ext.631) for additional information related to setting up an Automatic Release Plan.

When I was 16, a friend of mine asked me if I’d heard of NaNoWriMo.  It turned out that there was this event going into its second year called National Novel Writing Month, where the goal was to write a 50,000-word novel in 30 days.  Both of us were writers and at 16, my only real time concern was being in my last year of high school, so we decided we would both sign up and attempt this challenge.

NaNo (as it’s known to us Wrimos) was small back then, at least compared to today; its inaugural year in July 1999 featured a whole 21 participants.  By the time I heard of it, I was one of 5000, and the event was being reported in the L.A. Times and the Washington Post.  I won that year with a terrible novel about vampires, a talking cabbage, and a hellhound named Fluffy, because when you need to write 50,000 words in a month, reality is the least of your concerns.  I’ve participated every year since, in both the original NaNo and in the spinoff Camp NaNoWriMo, which began in 2011 and allows me to choose my own wordcount goal rather than sticking to the 50K.  I’ve also won every year, sometimes legitimately, sometimes by cheating... I mean, rebelling.

In 2003, NaNo’s founder, Chris Baty, wrote No Plot? No Problem (updated and revised in 2016), a guide to writing a novel, whether in 30 days or not.  My copy hangs out on my overburdened bookcase along with Stephen King’s On Writing, Anne Lamott’s Bird by Bird, and Dreyer’s English. NaNo taught me a lot about writing a first draft quickly, including the fact that it will suck and that’s okay.  As King says, you write your first draft with the door closed.  And preferably locked, when you live with your parents or roommates who inevitably want to know what you’re doing (writing), why (because I want to), and if they can be characters in your story (no).

In past years, there’s usually been one or two news articles or blog posts questioning NaNo and whether it’s ruining the sanctity of the written word.  They usually point out that a novel written in 30 days probably isn’t very good, and also such a singleminded focus on length won’t improve that.  This is true.  A novel written in 30 days will be awkward and ungainly, full of run-on sentences, illogical actions, and plotholes you can drive a truck through.  Characters change names, appearances, and occasionally gender.  Authors forget how to English (or whatever their language is), as proved by the hilarious NaNoisms thread that pops up every year for participants to chronicle their worst typos and brainfarts.  At the end of the month, you have a novel that is certainly not in any state to be published, or even shopped around to agents.

That’s not the point.  The point of NaNo is to get yourself writing.  It’s to train yourself to sit down in your chair, put your hands on the keyboard, and write some words.  Sometimes that’s only a sentence.  Sometimes you drag out the first few (hundred) words and your muse finally engages and you’re off flying, words spilling out so fast your fingers can’t even keep up.  Either way, you’re doing something many people say they’ll do but never carve out the time to actually do it.

Of course, there are plenty of novels out there that started as NaNovels and were beaten into submission, polished, and published by real live publishers.  They include Water for Elephants by Sara Gruen, The Night Circus by Erin Morgenstern, Wool by Hugh Howey, Cinder by Marissa Meyer, and many more.  And this year, though I haven’t actively been searching for any, I haven’t seen any handwringing about how NaNo is destroying writing as an art.  I have seen news articles, pep talks from famous authors, and library programs in areas like Burnaby, Montreal, and Cambridge’s Idea Exchange.  I’ve seen another official NaNoWriMo handbook in Brave the Page, a juvenile nonfiction guide and inspiration for middle graders.

In the 18 years I’ve been participating in NaNoWriMo, I’ve written almost 1 million words.  I’ve written halves of novels, full novels, short stories, novellas, 104K in a month, 50K in 6 days (Surgeon General’s Warning: not recommended unless you like uncontrollable tremors).  Whether I finish a full novel or rebel by rewriting older stories (or by writing blog posts), NaNo has taught me to just put my head down, stop complaining, and get it done.

To keep up to date with all of LSC’s latest offerings, please follow LSC on Facebook, on Instagram, and on Twitter, and to subscribe to our new YouTube Channel. We also encourage you to subscribe to the weekly Green Memo, and we hope you check back each and every week on this site for our latest musings on the publishing world.

Enjoy!

I was working in a high school library just as teachers were beginning to appreciate the educational value of graphic novels. They finally understood what I had long known; they aren't just picture books, they are an expressive, immerse form of storytelling that is very appealing to readers who struggle with a page full of words. To someone who doesn't have personal experience with them though, they can be intimidating to choose from (because there are so many titles) and to keep up with (because there are so many volumes). But when students, teachers, and librarians ask me where they should start, I don't hesitate: Hellboy.

The title is goofy, and I understand why it might keep people away. In the books, the characters even recognize this, that Hellboy is a goofy name considering the arch heroism of his actions. But just as we were once warned not to judge books by their covers, I caution people from judging books by their titles as well. Hellboy, at first glance, is a goofy name. And it betrays a goofy original concept. Creator Mike Mignola just wanted to draw a demon punching nazis and gorillas and monsters and junk. It was a loving tribute to 1950s B-movies and pulp fantasy.

Hellboy began as just sketches and drawing that Mignola did not intend to do anything with. In 1993, these evolved into a series of short stories, six to ten page mini adventures in which much punching of nazis or monsters occurred. In 1994, Dark Horse published the first issue of an ongoing Hellboy series, which ran intermittently until 2011, and has since been collected into 12 volumes. It was here that Mignola began to craft a back story, an emotional centre, and a depth for the character. It was here that Hellboy became a classic tragic mythological hero. 

The backbone of the Hellboy stories is folklore. Mignola is an admitted myth junkie, collecting stories throughout his life, and weaving them into eventual Hellboy adventures. A trip to Europe and hearing a legend of the ghost of a gambler became The Vampire of Prague. A session of Greek myth make-believe with his daughter became The Hydra and the Lion. A half remembered Japanese folk story became Heads. Mignola used Hellboy to explore these cultural touchstones from a new perspective. Plus, they provided a lot of monsters to punch (or explode).

Somewhere along the way, the Worlds Greatest Paranormal Investigator (as HB was known) allowed Mignola to build his own mythology. The Hellboy stories can be fairly evenly divided between short fist fights with beasts and trolls, and a longer arc dealing with the character's destiny. Following in the footsteps of Tolkien, Mignola builds an entire universe from origin to apocalypse, with Hellboy the fulcrum of machinations by evil wizards, desperate gods, and the occasional alien. Drawing inspiration from Arthurian legends and the terrors of Lovecraft, Mignola’s stories are an ode to myths from around the world, and a poignant eulogy for old world paganism.

Summoned to Earth by Rasputin in the closing days of WWII, to bring about the end of the world, Hellboy is adopted by the Bureau of Paranormal Research and Defense (BPRD) and from 1952 until the late nineties worked as a government agent investigating and punching ghosts, vampires, and all manner of foul creature. His right hand though, the Right Hand of Doom, is a carved stone wanted by heaven, hell, and man for it is the key to summoning a great ancient Elderich horror from the abyss. As the story develops, Hellboy is confronted by, and rejects, the destiny others define for him. He doesn't want to destroy the world; he likes it too much. He just wants to live a simple life eating pancakes. His tragedy is that no matter his actions to avert his destiny, it seems unavoidable. Over the course of his story, his apathy turns to torment turns to anger. 

So, the short stories allow for easy digestion of action oriented fun, and the longer arcs draw the reader into a deeply realized world and the pathos of a character struggling against what is expected vs what they actually want. But those aren't the main reasons I recommend these books. I do so because, 1) they are very funny, and 2) they are gorgeous. Mignola seeds humour throughout his stories, usually in the form of other characters being very serious and Hellboy being very flip. His usual retort is to call whatever he's fighting "you horrible thing!" He complains about his back hurting after getting knocked around by Anubis, God of the Dead. He can't shoot straight. Mignola also draws on the absurdity of the situation, painting as often as possible the red demon with an apocalypse hand as the only sane man. 

Mignola, who was an artist before he was a writer, lavishes his works with nonverbal story telling. Entire pages will often feature only one brief piece of dialogue (or none at all), letting panel after panel of minimalist art pull you along. The lack of detail in the drawings accentuates the importance of elements, and sparse flashes of colour draw the eye to where it needs to linger. Mignola's style is wholly unique (so unique that Disney brought him in to help design Atlantis: The Lost Empire in the last nineties).  He fills the page, but he fills it with as little as possible. 

Hellboy was the favourite comic of director Guillermo del Toro, so much so that he made two Hellboy films in the 2000s. They are wonderful. A reboot film came out last year, starring Stranger Things' David Harbour. It is not wonderful. Two animated movies have been made adapting some of the short stories, and the comic series remains one of Dark Horse's most successful properties.

It has had multiple spinoffs, including BPRD, featuring the merman Abe Sapien, firestarter Liz Sherman, homunculus Roger, and ghost Johann Krauss. This series expands on the human perspective of the foretold apocalypse. Hellboy's early adventures are currently being chronicled in Hellboy and the BPRD, set during the fifties. And a host of other minor characters from the Hellboy world have gotten their own books, like nazi hunter Lobster Johnson, or Victorian Witchfinder Edward Grey.

Each book strikes its own tone, checks the box of a different genre, but are all united by the vision that Mignola originally set in Hellboy. If all you want to do is see a demon punch nazis, the series gives you that. If you want to do a deep dive and immerse yourself in the world of Anung Un Rama, there is material enough to last you ages. 

To keep up to date with all of LSC’s latest offerings, please follow LSC on Facebook, on Instagram, and on Twitter, and to subscribe to our new YouTube Channel. We also encourage you to subscribe to the weekly Green Memo, and we hope you check back each and every week on this site for our latest musings on the publishing world.

Yours, Fictionally

*all images are the copyright and property of Dark Horse Comics and Mike Mignola.

At LSC, we endeavor to ensure that Canadian libraries have unparalleled access to Canadian content, whether that be materials by Canadians, about Canadians, or what is important to Canadians. Part of that commitment is improving access to materials by Indigenous Peoples. Thanks to some recent initiatives, we now have additional tools to help with that.

Back in June BookNet Canada announced a research project they had undertaken, to generate a list of materials specifically dealing with Canadian Indigenous topics. As a starting point, they used BISAC codes to isolate the sales data on materials associated with Indigenous or Native American/Canadian headings. They were then able to see how these materials have sold compared to other English language materials. Happily, from 2016, there have been consistent gains in sales for Indigenous themed material. Next, they pulled just the data from Junes 2018 to 2019, identified the top sellers and broke down the results into Fiction and Non-Fiction categories for Adult and Juvenile. The resulting four lists they are calling the Bestselling Indigenous Books in Canada.

They are quick to point out that only two of the forty items were not written by Canadian or Indigenous authors. They also point out that Canadian publishers are responsible for most of the items on the list. This is all to say, this list represents a collection of books in which Indigenous Peoples are telling their own stories, a critical and foundational aspect of decolonization.

For a more complete breakdown of their methodology, see their announcement post here. For your ease, we’ve put all four lists together into one single Slist, from which you can purchase the items directly. The Adult Fiction list includes recent favourites by Joseph Boyden and Thomas King, as well as brand new books like There, There by Tommy Orange, and Starlight by Richard Wagamese. The Non Fiction list is a fantastic list of items that would bolster any collection, including All Our Relations by Tanya Talaga, and Indigenous Relations by Bob Joseph.

The children’s lists consist of many items that I know are already being used in many elementary schools, including Fatty Legs by Christy Jordan-Fenton and Margaret Pokiak-Fenton and The Sharing Circle by Theresa Meuse. As well as newer titles that will hopefully find their ways into the hands of more young Canadians, like The Girl and the Wolf by Katherena Vermette and Go Show the World by Wab Kinew and Joe Morse.

In addition to this, the UN General Assembly has designated 2019 as the International Year of Indigenous Languages. This resolution came about as “40 per cent of the world’s estimated 6,700 languages were in danger of disappearing— the majority belonging to indigenous peoples.” They hope to raise awareness of these languages and the cultures they represent internationally. You can see the full scope of their initiative here. 

In Canada, 2011 census data shows that there are 60 active Indigenous languages, belonging to 12 root language families, spoken by 213,000 people across the nation. Canadian Geographic has put together a wonderful graphic mapping these languages, which can be viewed fully here (Image credit: Chris Brackley/Can Geo.)

To support this Year of Indigenous Languages, LSC has put together a list of recent and prominent Indigenous materials. This list of 101 items is a mix of Fiction and Non-Fiction, Adult and Juvenile, English and French. The items are all by Canadian Indigenous authors, again ensuring that people are telling their own stories. These items would form a powerful foundation to an Indigenous collection, and satisfies two of the UN’s five key action areas: “Increasing understanding, reconciliation and international cooperation”; and “Elaborating new knowledge to foster growth and development.”

LSC is committed to helping libraries decolonize and increase the representation in their collections. Indigenous languages are part of that commitment. We list Southern Cree, Inuktitut and Ojibway among the languages available through our World Languages program. We are constantly looking out for new materials from new and existing publishers, in Indigenous languages. As demand for this material grows, so will supply, and LSC will be there to help libraries build the best collections for their customers.

To keep up to date with all of LSC’s latest offerings, please follow LSC on Facebook, on Instagram, and on Twitter, and to subscribe to our new YouTube Channel. We also encourage you to subscribe to the weekly Green Memo, and we hope you check back each and every week on this site for our latest musings on the publishing world.

Yours, Fictionally

One of the reasons my bookclub fellows and bookworm friends keep me around is for the book recommendations. They know I have the inside track on what is currently popular, but also what is coming. And that is a great perk of working in libraries: knowing months in advance what books are to be published. But who do librarians turn to for reader advisory? That’s where Loan Stars comes in.

Loan Stars, for those who don’t know, is an amazing reader’s advisory program. Run in conjunction by BookNet Canada and the Canadian Urban Libraries Council, this service aggregates the recommendations of working library professionals into monthly lists. And unlike some commercial lists, which focus on bringing existing books to the public’s attention, Loan Stars is focused on the future. Their monthly lists consist of the most recommended items that will be published within the following month.

How does it work? Anyone working in a library in Canada can sign up for a free CataList account. Then, so long as you are logged in, you will see a “recommend” button next to eligible titles. Click the button, and that’s it. At the end of every month, the super computers and clever folk at Loan Stars tally the results, and the ten books with the most recommendations are added to one of two lists: adult and juvenile.

This is a fantastic way to get the word out about books that people haven’t heard about yet. At LSC, we swim in the galley proofs that are sent to us by publishers, and from my days in libraries, I know the case is true there too. And it is a (nerdy) thrill to have the inside track on a book that no one else will be able to read for months. I’m sure we’re all the same, when you read a good book, all you want to do is tell people they should read it. Loan Stars is one of the best ways to tell colleagues across Canada what they should keep an eye out for, or get the jump on and order in advance.

We all use things like the New York Times Best Seller list, or Canada Reads to build our collections, but those are reactive lists, and much of the demand for those items is driven by patrons. Loan Stars gives you the chance to get ahead of the rush on items no one has heard of yet, but will want. What I like about it is, it’s not just the best sellers. Those books are going to be popular regardless, they barely need our help. These are recommendations coming directly from staff; their actual opinions, not just what they think will be popular but what they think should be popular.

Take a book like Vessel, by Lisa A. Nichols, or Grass, by Kuem Suk Gendry-Kim. These are not books that would usually end up on conventional lists. But enough of your peers across the country liked them so much, they ended up on recent Loan Stars lists. It has effected my personal reading; every month there is at least one book that catches me by surprise and that I immediately put on hold at my local branch. I don’t know if I would have found No Country for Old Gnomes, by Delilah S. Dawson and Kevin Hearne, without it.

What’s on their lists for August? Some choice morsels include:

• Translated from Gibberish, by Anosh Irani, is a collection of short stories exploring his life and experience as an immigrant. Knitting together his life through seven tales set in India or Canada, with wit and heart, Irani presents a raw – if not entirely truthful – autobiographical journey.
• Snow, Glass, Apples, by Colleen Doran and Neil Gaiman, is a graphic novel adaptation of Gaiman’s original short story from Smoke and Mirrors, itself a twisted version of the story of Snow White. As only Gaiman can, the story weaves melancholy and pathos with vampirism and necrophilia. This volume pairs that with Doran’s crisp style which blends clean characters with conceptual layout design. This is their second collaboration, having recently also graphically adapted Gaiman’s Troll Bridge (one of my personal favourites).
• Hello I Want to Die Please Fix Me, by Anna Mehler Paperny, is a frank, honest, and at times absurd memoir detailing her time in a psych ward after her first suicide attempt, and her journey through the long-term treatment of living with depression. While not unique to the experiences of those whose life is touched by depression, Paperny’s perspective is a uniquely Canadian one in publishing. There are few books that touch on the Canadian Health Care system, the Canadian pharmaceutical system, the Canadian Mental Health system as it relates to depression, which are far more relevant to Canadian readers than anything coming up from south of the border.
• Code Like a Girl: Rad Tech Projects and Practical Tips, by Miriam Peskowitz, is a great resource for kids who want to learn how to code, and offers step-by-step instructions for actual projects, like building a motion sensor for their room, or creating smartphone gloves.
• And, I would be remise in my duty as a professional and a connoisseur of fine literature if I did not point out that Does It Fart: A Kid's Guide to the Gas Animals Pass, by Nick Caruso, absolutely made this month’s list. As well it is should.

Now, you’re asking yourself, “how do I read these monthly lists?” There are two ways. One is to sign up for the Loan Stars monthly email, which has the lists delivered direct to your inbox. However, if you want to be able to see the list and immediately purchase the items on it, LSC creates an Slist version of every Loan Stars list, so you can view and add the items to your cart in our catalogue. Here are the links to the most recent Adult and Juvenile Loan Stars lists for August, and you can find older lists under the “Special” heading in the Slist page. 

To keep up to date with all of LSC’s latest offerings, please follow LSC on Facebook, on Instagram, and on Twitter, and to subscribe to our new YouTube Channel. We also encourage you to subscribe to the weekly Green Memo, and we hope you check back each and every week on this site for our latest musings on the publishing world.

Yours, Fictionally